The opening of the film is a visual representation of the title given by the creator. The viewer can read a still message on the foreground while separate words of this message are mirrored in the background. The words roll in opposite directions creating a kind of “highway effect”. The letters are all in the same regular Palatino Linotype font style but they differ in terms of their size, producing a certain three-dimensional visual sensation. The complete message is written in the smallest font size and upper-case letters are selected for the first letter of each of the three words. A visual contrast is created between the black surface and the written words. The reader can clearly read the clause in the middle of the screen but this is not happening with the rolling words that allow only for small bits of them to be read. No sound is added during the first second

New inputs are introduced in the 0.2 sec of the video. The first thing to be added is the vocalization aspect which seems to be brought abruptly. This is followed by the progressive fading in of the visual image that pictures a woman facing towards the wide window. The visual frame is relatively distant allowing for several environmental attributes to be recorded. We see a place that looks like a room that has a wide window in one of its outside walls. There are objects that cannot be clearly distinguished due to the blurring image created by the fade-in effect. The room seems to be situated within an urban district with some buildings appearing opposite on the right side. There are also some features that seem to correspond to a more rural landscape like trees. The absence of leaves on the trees and the relative darkness indicate that the recording must have taken place in late autumn or winter. No special lighting is used inside the room, creating a rather dark, folk, amateur, black and white, candid-camera aesthetic. The person inside the frame is wearing a simple jumper with dark colors and no other visible characteristic on it. The hair of the person or the anatomy shown cannot indicate whether it is a man or a woman. Generally, the corporeal information visualized is relatively little since the person appears more like a shadow and only an idea of the upper extremities is given through the video. There is certainly a polyphony of information which progresses with an accelerated tempo.